Wednesday, August 31, 2011

Beautiful Project in the Works


Look at the detail on this leather upholstered table.  Gorgeous!  I'm so excited to be working on this beautiful project where we have some exquisite pieces and striking combinations.  You've seen various leather upholstered pieces recently becoming rather popular, but none were in the size and color we wanted so I went custom.


Here it is at my upholstery shop.





Using this Haute Turquoise leather from Kravet, the table will fit perfectly in front of this Kravet sofa.


The Medley sofa from Kravet.  It's on the showroom floor in Houston if you want to see it in person!  It's so sophisticated and we did it in one of their finely woven Soleil fabrics, light color like above, so all that white upholstery can be easily maintained.


They will be sitting on top of this wool zebra rug for a bold graphic look.


Very plush!



Pillows will be done in this printed linen from Schumacher.  It isn't as strong of a pattern so it doesn't compete with the rug and also ties in with the subtle, more traditional style of the home.

Just waiting for the thick glass top that will rest on the leather table.  I can't wait!



For help creating a sophisticated, custom look for your home, contact Aston Design Studio


Friday, August 26, 2011

Curvy Shapes in Interiors


Amelia Handegan - Southern Accents


I love seeing a visual statement in an interior and nothing does it quite like a curvy shape. Let's face it, rooms are mostly boxy, maybe even angular. Applying curves gives an organic feel or human touch to a space. Statement curvy shapes can give quite an amazing and dramatic visual effect. I love some of these examples.


Antonello Radi - Elle Decor



Alex Papachristidis - House Beautiful


Steven Shubel - House Beautiful



Berkley Vallone, Caroline DeCesar - House Beautiful




Bunny Williams - Elle Decor



Cathy Kincaid - House Beautiful



Amy Bergman - Traditional Home



Hattie Wolf, Abby Rizor - House Beautiful

I love the marble backsplash behind the tub in the bathroom beyond.


Jay Jeffers - House Beautiful

Curvy headboards are sculptural and provide beautiful silhouettes.




One of my bathroom remodels

I love curvy marble backsplashes. They have a historical reference and add a custom look to a vanity.

Apartment project photos are coming soon. It's my daughter's college apt.  So cute and filled with some of my Showhouse furnishings. 

Have a great weekend!  I'm working!


Thursday, August 18, 2011

Job Site Visits


Job site visits today! 
This remodel project involves turning a dated 90's contemporary property into a more traditional home.  The fireplace is coming along. 



Traditional corbels and paneling and an appropriate scale and weight for this big space helps transform the look.




Right after demo.  All mouldings and tile were removed as well as stepped sheetrock detail at the ceiling.



Fireplace Before - smallish, plain, and unimportant

On to the bathroom! 



Tile work looks great.  A warm golden color scheme was desired by my client, achieved with the Angelica travertine for flooring and bathroom tile.  Fitting a traditional tile pattern and layout around the existing modern window helps marry the styles and looks purposeful.


 

Shower tile work




Niche at the tub area. Waiting for the Angelica limestone ledge.

On to another job site. 

New  paint on the dark wood paneling and new wood flooring. 



Before



After - Yea!!! 

I've been soooo busy this summer, not quite on top of my blogging. Busy is good though!  I've got a fun apartment decorating project to post next.  I'll be back next week!

Thursday, August 11, 2011

Window Treatments - Part 2, Blending with the Walls



Back to discussing window treatments! Window treatments that blend with the walls have a softening effect on a room.  Whether it's panels, valances, or shades, treatments of the same color or tone as the walls don't call attention to themselves.  Particularly in a light room, I think they have a way of attracting your eye to the view and not stopping your eye at the window.

The space above was a butler's pantry I did in a Showhouse in 2008 here in The Woodlands.  This home was located in the Garden District of this area and I wanted to relate it to the gardens outside. You see how the walls and Roman shade blend together to create a soft look and the lush garden is quite apparent.  The window treatment doesn't compete with the view.


Here's another project of mine where the sheer panels blend with the walls and envelope of the room, softening the bedroom and not competing with that beautiful view.  Your eye looks right through those window treatments.



These beautiful patterned sheers with a rope trim provide a gauzy, romantic softness at the French doors in my recent Showhouse room. They're kind of like an invitation to step out on to the balcony.

There are many other designers who also use this tool very successfully.



Martin Lawrence Bullard - Elle Decor



Ellen O'Neill - House Beautiful



Emily Robison - Elle Decor



Tracery Interiors - House Beautiful



Tobi Fairley


Kate McIntyer and Brad Huntzinger - Traditional Home



Elle Decor



Jason Bell - House Beautiful



Ginger Barber - House Beautiful



Frank Delledonne - House Beautiful

In dark rooms, same color window treatments also give a romantic, soft feel.  They sort of turn the room in on itself and have a cocooning affect.


Elle Decor



Nancy Price - House Beautiful



Alessandra Branca - House Beautiful



David Mann - House Beautiful

This is a great NYC view. Imagine if the designer had used some contrasting, colorful panels at the window instead of the same smoky gray.  It would've stopped your eye and not felt nearly as romantic.

Window treatments can add such personality to a room.  Next window treatment post will be about pattern at the windows!  Have a great weekend everyone.  I'm moving my daughter back to her college apartment.  Fun!

Sunday, August 7, 2011

Pretty Vintage Porches


I worked on the design of this cute, vintage home located in a historic area of Houston a few years ago.  It had been damaged by fire and water, the fire having been caused by old electrical wiring.  The home was over 100 years old, so lots of work had to be done to update it as well as correct problems like leveling the floors, new wiring and plumbing, etc.  Finally finished for a young family, it has a cheery facade and adds value to the neighborhood.

Part of the appeal of this home are the porches.  It was so much fun to work on an exterior, something I don't do every day, but as part of being the resident aesthetician (see previous post), I became involved. 

When the homeowners came to me about this project, they showed me their exterior paint color selections and said they were happy with them. They were basically much brighter versions of what we finally did.  Think school bus yellow and baby blue. We had so much to do and since painting the exterior was about the last thing in the process, I let that slide and we forged ahead to work on kitchen, bathrooms, etc. When we finally got to the exterior, I was excited to be able have input on mouldings, trim, railings, door and window selections, and paint! 

They wanted a yellow house and I thought it was very appropriate for this type of home and this neighborhood, but we had to tone down the schoolbus color.  Then we added some punctuation and seriousness with the dark blue/gray for the trim and lighter blue/gray for the porch.  It was quite an involved process placing just the right paint colors on just the right features or mouldings. 

The railings were designed, scaled, and detailed for the contractor.



We made some decisions on site.  (See the paint samples on the wall?)



Before photo of the back porch balcony.



Back screened porch - Before



My details of the back screened porch.



Back screened porch - After

It was a long process, (there was a hurricane in the middle of all this!) but I think it turned out to be a happy looking house with some nice vintage appeal.  I think we brought the house to the place it should be. It was really a unique project for my portfolio and one I am very proud to have been involved with.

"After" photos by Miro Dvorscak.

Friday, August 5, 2011

Branding My Design Services



Branding is important in every business, but in a creative business it is even more so.  The ambiguous nature of a creative business is such that it's hard to stamp it with any one concrete idea.  It's even harder when that business has to function in so many different ways. Interior design is particularly challenging in that regard.  I have done so many different things on projects over the years as most designers often do.  You kind of become the resident aesthetician for all things when you start working with a client.  I've done everything from design exterior facades and lay out gardens to arrange bookcases and decorate for events.  Sometimes it's just all over the place and that's just the way I like it.  I like to have as much input as I can, anywhere I can.... because I always have an opinion.  An opinion that comes from years of experience and a formal education, but most importantly, a driving passion for design.

Many designers brand themselves with a certain style and don't really welcome projects that deviate from that style.  I think these designers find it easier to brand themselves. Clients seek them out particularly for their knowledge and expertise of that style.

Not for me.  I'm not glued to any one style. I love the difference between each project. I like the challenge of working on a modern bathroom, an old world style living room, and a craftsman style kitchen all in one day.  I like working with the unique requests of my clients and coming up with solutions that are perfect for them. 

So how do I define that?  What can I produce for a client? What services do I offer?  What do you know you're getting when you hire me?  I'm constantly reassessing this and trying to hone it into a quick soundbyte.  It's never easy.

I recently looked back at many of my projects looking for a common thread and they are just all over the place in terms of design style and type.  So many different kinds of projects.  Again, I like that.  I remembered each one and what the client requests were and how I came up with the solutions and design.  They were all unique.  I was recently with a new client going over my portfolio and I kept thinking I'd done something similar to what she was wanting in the past for her to see, but no, hers was going to be different.

I sat down and considered what were the most important things I want to bring to my clients. 
  • Solve the problems in the space they are requesting I address.
  • Solve the problems they don't really see that they have.
  • Make it beautiful or striking or relaxing or whatever their adjective is.
  • Clean it up.  I do like a clean aesthetic.
  • Bring ideas to the table that they wouldn't think of themselves.  That is why they're hiring me.
  • Think big. After all, I'm the creative one. I have to have the big ideas.
  • Make it magazine worthy. That means it needs to have unique, eye catching moments.
  • Make it long lasting.  Sure, there will be things that get dated over time, but the things you invest heavily in should last.
  • Don't leave the elephant in the room. When I complete a project, I like to have brought everything up to the same level of quality.  So many times people have their wish list and it doesn't include updating the big thing in the room that's going to take everything else down with it.
  • Bring more value to the property. I always try to recommend improvements whether it's tweaking new construction plans or ideas for remodeling that would add value to the home. Even if it's just something that would make your house sell faster if it was on the market.
Notice the words, "stay within budget" are not included.  I have found that when clients tell me their initial budget numbers they usually aren't aware of what things cost. Many times their wish lists are far greater than their budgets.  They also sometimes include things on the list that I might feel aren't necessary to get them their end result.  They don't know what I'm going to think up for them or how much I'm going to do.  After all, they're hiring me for ideas. Something they haven't thought of.  How can they budget for that?

Now, I can work within a realistic budget, but I first like to show you what you can have.  Really 9 times out of 10, people go for it all or do it in stages because they love the design and it's something they would not have thought of.  I also find that original budget numbers are usually very conservative on their part. Most people don't tell you the maximum they'll go to right off the bat.  They approach it like a negotiation, starting low but their ceiling is almost always higher.  Not to say that you shouldn't hold back money for contingency, I'm a firm believer in that.  It's just that my experience has been that fresh ideas brought to the table can trump the cost factor.

I know, that last bit might alienate some future clients.  I hope it's taken in the right way.  Honestly at this point in my life I want projects where I can make a big impact and clients that are willing to go there with me.  I'm there to work for them, but my time is precious.  I'm not a part-time designer. I work all the time, nights and weekends too. I have clients waiting on me, repeat clients, so I have to spend my time on projects that will move my career and business forward.  I put a lot into the projects I take on and I want to make something special out of each and every one of them.  I prefer larger projects that will showcase my input. Oh, and I need to get paid for it.....on time.  :)

When I designed my studio almost two years ago, I purposely did not do a shop or a showroom. I didn't want to have a supply of items that I had to move through the doors to stay in business.  Again, I'm not all about one single style.  In one of my projects I may need rustic accessories and linen upholstery, in another I might want modern statement art and sleek leather.  I can't afford the square footage to have everything in there I might want to use on all my varied projects.  I actually do a lot of custom designed pieces.  Again, solving the unique problems of my clients in very particular ways. 

I also contemplated the multi-designer firm concept.  I decided I just can't let go enough to do that.  I've worked so hard to get here.  With my name on the door, I want to have my hand in all the design decisions. Not only that, I have a hard time trusting anyone else to read my mind and tend to the details the way I want. I like working with support, but I don't need someone who is a second "me".

 "Aston Design Studio", my business name, really states what I do. It's me, doing design, not in a retail store or with other designers in tow, but in my own studio.  I think the word studio conjours up the notion of "art" being created.

A few years ago I developed my mission statement or design philosophy and in my review, after all my re-examination, I think it's still pretty accurate, albeit a bit wordy.  Still looking for the soundbyte.:/

"My goal is to bring thoughtful, well-crafted, timeless design to each project I pursue.  The type of clients I have appreciate the time and effort I put into the design process and the high regard I have for this pursuit.  They benefit from my passion and interest in good design.  I enjoy collaborating with them to create a space that reflects their personalities, interests, and style.  Along with my clients, I want to love and be proud of each and every end result.” 


Have you branded your business? Your image? Your blog?  Was it a soul searching process for you?  Did you know what you wanted to put out there right away or did you grow into it, trying other things out along the way?  I would be interested to have your comments!